A crowd-sourced exhibition of literary telephones
Reflecting on the long history of creative calling, the Crossed Lines project invited contributions to an online exhibition of literary telephones.
This exhibition features around 90 texts spanning over 130 years and we received nominations for writers from around the world. You can scroll through our exhibition below. The texts are arranged according to the first date of publication or performance (or, in some cases, composition). Please click on a book cover for more information.
The Telephone
by Jones Very
Looking Backward
by Edward Bellamy
A Connecticut Yankee in King Arthur's Court
by Mark Twain
The Crimson Blind
by Fred Merrick White
A Call
by Ford Madox Ford
Round the World in Silence
by Annabelle Kent
The Voyage Out
by Virginia Woolf
Under a Telephone Pole
by Carl Sandburg
The Telephone
by Robert Frost
Night and Day
by Virginia Woolf
Jill the Reckless
by P. G. Wodehouse
Hymn to the machine of my body
by Tytus Czyżewski
About That
by Vladimir Mayakovsky
Telephone
by Maria Pawlikowska-Jasnorzewska
The Great Gatsby
by F. Scott Fitzgerald
The Castle
by Franz Kafka
A Man Could Stand Up
by Ford Madox Ford
The Adventure of the Retired Colourman
by Arthur Conan Doyle
Snail
by Christopher Isherwood
The Letters of D. H. Lawrence
by D. H. Lawrence
La Voix Humaine
by Jean Cocteau
Vile Bodies
by Evelyn Waugh
The Diary of a Provincial Lady
by E.M. Delafield
The Telephone
by Pedro Salinas
Cold Comfort Farm
by Stella Gibbons
Man's Hope
by André Malraux
In Parenthesis
by David Jones
Goodbye to Berlin
by Christopher Isherwood
Absolutely Elsewhere
by Dorothy Sayers
Hangover Square
by Patrick Hamilton
The Garden of Forking Paths
by Jorge Luis Borges
Five Girls on the Switchboard
by Kurt Schwitters
An Inspector Calls
by J. B. Priestly
A Streetcar Named Desire
by Tennessee Williams
Blood on the Dining Room Floor
by Gertrude Stein
The Island of Reil
by Christine Brooke-Rose
Momento Mori
by Muriel Spark
Telephone
by Nizar Qabbani
Metaphysical Poem
by Frank O'Hara
Telephone Conversation
by Wole Soyinka
The Clocks
by Agatha Christie
A Single Man
by Christopher Isherwood
Words heard, by accident, over the phone
by Sylvia Plath
The Real Inspector Hound
by Tom Stoppard
Michael Mooney's Land
by W. S. Graham
Artefactos
by Nicanor Parra
Passage - for John Coltrane
by Barbara Guest
The Hothouse by the East River
by Muriel Spark
The Abbess of Crewe
by Muriel Spark
Imperial Earth
by Arthur C. Clarke
Abigail's Party
by Mike Leigh
The Back Room
by Carmen Martín Gaite
Dancer from the Dance
by Andrew Holleran
If on a winter's night a traveler
by Italo Calvino
The Post Card
by Jacques Derrida
Life and Fate
by Vasily Grossman
Brothers and Keepers
by John Edgar Wideman
The Andy Warhol Diaries
by Andy Warhol
Good Omens
by Terry Pratchett & Neil Gaimain
Angels in America
by Tony Kushner
Switchboard Operators
by Carol Lake
Listening In
by Ernest H. Hinrichs
I Saw Ramallah
by Mourid Barghouti
Sputnik Sweetheart
by Haruki Murakami
Harry Potter and the Prisoner of Azkaban
by J. K. Rowling
The Belly of the Atlantic
by Fatou Diome
Don't Let Me Be Lonely
by Claudia Rankine
No Country for Old Men
by Cormac McCarthy
Remainder
by Tom McCarthy
Fun Home
by Alison Bechdel
The Woman Who Censored Churchill
by Ruth Ive
Time and Distance Overcome
by Eula Biss
The Little Stranger
by Sarah Waters
Last Letter
by Ted Hughes
A Visit from the Goon Squad
by Jennifer Egan
La Ciudad de los Ojos Grises
by Félix G. Modroño
How to Be Both
by Ali Smith
Citizen, An American Lyric
by Claudia Rankine
Unadopted
by Helen Tookey
I'm Very into You
by Kathy Acker and McKenzie Wark
The Ministry of Utmost Happiness
by Arundhati Roy
a note on the phone app that tells me how far i am from other men’s mouths
by Danez Smith
Bury Me, My Love
Pierre Corbinais and Florent Maurin
My Sister, The Serial Killer
by Oyinkan Braithwaite
No Friend But the Mountains
by Behrouz Bouchani
Riccardino
by Andrea Camilleri
Telephone
by Tassos Stevens
This exhibition is still growing. If you would like to nominate a text, please submit your entry to sarah.jackson02@ntu.ac.uk. You will need to include:
– The title, author and publication details of your chosen text
– A quotation or extract from the text (maximum 150 words)
– A brief account of the role of the telephone in the text (maximum 200 words)
– A colour photograph (jpg) of the front cover of the text
Crossed Lines is an AHRC-funded research project led by Dr Sarah Jackson in partnership with the Science Museum and the BT Archives.